A - Damage Control
B - My Loose Tooth

Mob records is one of the leading labels on the breaks scene. Spearheaded by Tayo, the label was responsible for the first Stanton Warriors releases and the first Plump DJs' mix album (Yurban Underground.) A roll call of the breakbeat elite have recorded original tracks or classic remixes for the label � Rennie Pilgrem, Lee Coombs, Starecase, Koma & Bones, Dylan Rhymes and Meat Katie to name a few. Hailing from South London, Care In The Community are Andy Hawkes, Kev Grainger and Adam Bournes. Having only been producing together for a year, their musical background of Dub (Kev and Adam) and House and Hip Hop (Andy) have combined with their slick production skills to make no nonsense straight up break beat rockers. �Damage Control� will be the first of many singles expected from Care In The Community and the outfit has been approached for remixes from the likes of TCR, and Distinctive Breaks just from test pressings of this release. �Damage Control� is an effective electro breaks, bass line-driven track with a stuttered vocal, whilst on the flip, �My Loose Tooth� is pure heads-on p-funk breaks in a Zapp meets Aux 88 style.

A - F'kin Hostile
B - PH4

Now in the Top 3 hard house labels in the country, Vicious Circle is going from strength to strength. Consistently well-produced hard records is the ethos, and that�s what they deliver, release after release. 2003 will be a big year for Vicious Circle. 2002 was fantastic for label boss Paul Glazby: scooping DJ of the year on the popular 4clubbers.net site along with many more awards from the likes of harderfaster.net, Paul has now made it to the forefront of today�s hard house scene. Headlining events up and down the country as well as events overseas such as Australia�s famous Enchanted Forest, Paul is ranked by many as the best hard house DJ in the land. The 20th release on any label is a special occasion, which has to be celebrated in a certain way. Paul Glazby has planned to make a statement with this release, and a statement he has made. Already marked as a possible Tune of 2003, �F�ckin Hostile� has to be one of, if not THE hardest tunes ever unleashed. The hoovers are rampant, the percussion is harsh, the acid line is twisted and the crowds love it. Not much more can be said about this release, it has to be heard to be believed. �PH4� is a quality tune in its own right although all the talk will be about 'Hostile' due to its severity! Again the 303 acid sound is ever present in Paul�s work - a fine B-side.

A - Comin' For Ya (DMFremix)
B1 - Comin' For Ya
B2 - Comin' For Ya (Vince Nysse remix)

Tom Harding and Chris Hampshire return to Recover fresh from the success of �We�re Back� late last year � a track that was licensed onto the Tidy Trax Insomnia and Dance Valley/HQ compilations. The dynamic duo deliver another cutting edged hard dance fusion in �Comin For Ya�, with hard house grooves, trance riffs and a distinctive vocal that will turn heads on the dancefloor. Needless to say this has already been thoroughly road tested in Tom Harding�s sets at massive events in Holland, including the 25,000 capacity Impulz Festival, 4 Elements, HQ etc. Recharge label favourite DMF makes his Recover debut and serves up another floorfilling cut with plenty of uplifting qualities, and ignore the Vince Nysse remix tucked away as second track on the B side at your peril � this is a riff fuelled monster for those who like to crank up the energy levels during their sets! �Comin For Ya� from three different directions in three different mixes. Can you handle it?

A - Mousse T - 'Horny'
B1 - Phil Fuldner - 'Can't Fight What You Feel'
B2 - Mark Van Dale - 'Water Werve'

Spearheaded by Mousse.T's classic from 1998, Vinyl Loops #10 shows there's no let up in the series' quality.

A - You Know
B - Techtonik

Following hot on the heels of Will Holmes & Castrillon's �Gas� comes this superb two tracker from Colin Barratt, and it�s another top quality hard house meets techno mash-up that Retek has built its reputation on. Despite having let just 2 CDR copies out of the office a couple of months back there was already a huge buzz on this release before the TPs were in. Why? Anne Savage included �You Know� on her �Music For The Harder Generation� compilation on Tidy Trax, and even trance master Lee Haslam was hammering this every set. Yes, this slab of techno fuelled hard house is so good that even the more open minded trance DJs are playing it. Remember 'Africaine' on Retek? This could well be a similar success story. Already awarded Single of the Month in Upfront ("Brilliant!") and rave reviews also in DJ Mag and M8.

A - Ben & Lex - Cosa Nostra
B - DJ Killer - Recycled

Functional reach their 20th release with a double CD release �Retro>Future�. The first CD is a 13 track mix from one of Australia�s finest DJs Phil K, whose stylish mixing and programming shows the strength of the previous releases on Functional and features the labels big tunes including 'Shoe Monkey' from Spoon Wizard, 'Aquathought' from Blue Effect and 'Slide' from Frakkar. The second CD of 10 unmixed tracks has been selected and programmed by long standing Beatz & Bobz residents Ben & Lex and features tracks and mixes from DJ Killer, Frakkar, Spoon Wizard, and Blue Effect, US acts an-ten-nae and new Functional act LP as well as debut tracks from UK acts Diversion Distraction (Dan Blue Effect and DJ Andromeda) and Ben & Lex. Ben & Lex have been residents for Functional�s sister club night Beatz & Bobz for over 4 years which has seen the lads supporting the cream of the UK breaks DJs. The flip side is the second release from Spain�s DJ Killer. Following on from �This Is� and �I want your Love� which was a big hit with the likes of James Zabiela, Pressure Drop and Phil Kieran, 'Recycled' has a funky bass line which is going to rock any dance floor.

A - This Is What You've All Been Waiting For
B - Under My Control

Billy Daniel Bunter is the pioneering rave DJ from the early 90s, who took hard house and hard trance to the rave scene and hardcore to the club scene. It was Daniel who coined the phrase 'hard dance' back in in 1997 with his album 'The Future Of Hard Dance'. Jon Doe is a studio genius and arguably the most influential artist in the rise of UK hard trance. As Mark Kavanagh from Muzik mag put it, "Nobody does the soaring, emotive, euphoric, dance floor � destroying rave break down quite like Jon Doe." 'This Is What You Have All Been Waiting For' - What the fuck happened to 148 bpm + hard pumping NRG house music? This is unashamed hard house 2003 style!!! Fuck just rinsing hard trance, fuck tech-y credibility. This one�s for the dancefloor that wants some pumping hoover madness. On the AA side, 'Under My Control' is UK hard trance at its finest: driving and euphoric, with enough hooks and dance floor bite that the biggest of sceptics couldn�t resist. This has been a proven peak time anthem time and time again.

A - Blowin' Up (Stimulant DJs remix)
B - Blowin' Up (Ingo remix)

Cast your mind back to STIMULANT11 when Cyberdrive last dished out their musical wares with the mighty '2 For Da Time' and awesome 'Firewire' causing mass mayhem across the globe. After what seems like an eternity the duo are back delivering what is arguably their best work yet and their 3rd release for Stimulant to date. 'Blowin' Up' has never been a more appropriate title as once the needle hits the platter this gem of a tune simply explodes! The Stimulant DJs supply the A-side mix with a clever blend of infectious melodies, catchy riffs, cheeky hooks and saucy vocal bites spread thickly over a bed of chunky grooves all combining to give an unadulterated and devastating hard dance anthem. Ingo makes a welcome return to Stimulant as he lets rip on the remix duties showcasing his new sound and style and proving why he remains of the scene's brightest talents. Rough, rugged and raw techno grooves pound the listener into submission before dubbed out psychadelic interludes give way to a manic re-take on the lead riff. For those who like it that bit harder this is not to be missed. Get on it and stimulate your dancefloor.

A - Forever
B - Forever (John Askew remix)

The trance elite have been all over every Discover release like a rash, with consistent support from the likes of Armin, Ferry Corsten and Tiësto, and Mixmag saying "Discover are without doubt one of the labels to watch in 2003" (Danny Clipboard). Based in Los Angeles, Graham Fee has made a name for himself on the West Coast through his own club night Remedy where he DJs alongside some the biggest names in world trance, such as Paul van Dyk, John '00' Fleming etc. His Discover debut is one of the most distinctive trance tracks you'll hear in 2003, with 'Forever' flowing effortlessly from dark and mysterious moments right through to uplifting peaks in a mesmerising mix, while man on the moment John Askew delivers another supreme production for a more driving remix on the flip.

A - Your First Time (Brett Johnson remix)
B - Your First Time (Soul Rebels remix)

NY�s Jason Jinx, known for his work with labels such as Subliminal, Defected, Yoshitoshi and Moody, makes his Fluential debut, featuring the spoken word vocals of Paul Alexander. Slamming new mixes on this 2nd 12� come from in demand Brett Johnson and Soul Rebels, whose current floorfiller �The Revolution Will Not Be Televised� on Defected is flying high in all current DJ charts.

A - Go Fuck Yourself
B - The Other Side

Ben Kaye hits back with his second release on Tidy within two months, this time with two vicious journeys of hardness. 'Go F**k Yourself' does exactly what it says on the tin. Foot to the floor hard house with no messin'. This baby gallops along at a furious pace using quirky cuts, leads and the odd slowed down sections which are used to great effects making this a superb follow up to 'Constitution' and 'Techno-logy'. The catchy vocal works well when topped nicely with the fast moving and quite odd sounding riff. 'The Other Side' is the excellent alternative, combining solid production with a cool minimal feel. In other words a token B-Side which some of you might play out!

A - Back In Time
B - Back In Time (Ingo remix)

Kernzy & Klemenza return to Vacuum for the second time with another storming release as the label continues to go from strength to strength. 'Back In Time' is everything you would expect from a Vacuum release, tough, pumping and full of unforgettable hooks. The production is top quality and enhances the dark and atmospheric feel of this track - guaranteed to set the harder dancefloors alight. Ingo is back on fire, with his recent productions receiving acclaim from the likes of BK, and Tidy Trax signing up two of his new tracks. He steps up for remix duty and his intelligent reworking of the original is sure to find favour across a wide spectrum of DJs and dancefloors. Tough and driving, this mix builds and builds with a dark, phat riff coming in at the break that will have the crowd screaming for more. Somewhere between techno and hard dance, this mix is out on its own.

A - So We Can
B - Noo Jack

Hood Records Tooting are a South London label proud of their �hood� and not ashamed to shout about it. The label, headed by Tom Mangan and his cohorts Jamie Read and Angus Wilson, are intent on putting the �strut, bounce and jiggle� back into house music. With the first release already gaining massive support from Pete Tong, their message is sure to spread far and wide. The emphasis of the label is on good quality party music that will make people want to dance. With a second solo release from Mangan already scheduled for early summer and an EP from the trio of Mangan, Wilson & Read under the name �Housework� in the pipeline, this is surely a label to watch over the coming months. Tom Mangan is known for his work with Cass on both Fire and Sabotage, as well as his recent collaboration on Perfecto with Cass and Hernan Cattenao �Hubbub�. Tom�s solo efforts to date have been the hugely successful �Chutney� on Bedrock, championed by many top DJs including Carl Cox to name but one. �So We Can� sees Tom move away from his progressive roots into a more mainstream house sound, although both tracks have Mangan�s signature tight production and neat electro touches. It's an old school influenced house music, built from the bassline up with bleeps in all the right places. A feel good track, with a minimal yet catchy vocal that is guaranteed to get hips shaking and feet moving on any dancefloor. Already receiving big support from Pete Tong having clocked up numerous plays on the Essential Selection, as well as being included in his sets around Europe and of course Miami WMC 2003. Not prog, not tech, just house��Noo Jack� takes its influence from the �Boompty Boomp� sound, featuring tight drums, a belching bassline and infectious piano: simple but effective. A bouncy, driving, percussive effort, touching ever so slightly on the techier side of house and sure to gain favour with the funkier DJs and crowds.

A - The Ultimate
B - The Ultimate (F1 remix)

The Morning Boys make their debut on the Pants & Corset imprint with a hard bouncing uplifting affair in a very Trade-esque style. The legendary F1, famous for pioneering the Trade sound and working closely with Tripoli Trax provide the remix and of course they don�t disappoint.

A - Not Over Yet (Violators mix)
B - Not Over Yet (Steve Hill mix)

The Voltswagen label goes from strength to strength with a cover version of an all-time classic track, Grace�s 'Not Over Yet'. Appearing originally on Oakenfold�s Perfecto label this anthem was always in the sights of Neon Lights. Now brought bang up to date with a darker edged, distorted vocal twisting Violators mix (who remixed the already classic 'Love You More' (VOLT001) and a pumped up mix by Tripoli Trax head honcho Steve Hill, who throws in everything and the kitchen sink! With superb vocals by Ali this package will put this 12� back in the DJs' boxes for another 10 years.

A - Time To Die (Seraque mix)
B - Time To Die (Cosmicman mix)

5 consecutive plays on Judge Jules� Saturday Warm-Up on Radio 1 � �Tried & Tested� tune and winner of �Judge For Yourself� chart, as well as DJ Magazine �Sureplayer� (5/5). Put Armageddon in the diary for May 19, as Anjunabeats brings you Nitromethane's �Time To Die�, a brutally effective slice of banging trance. Having already enjoyed a weekly battering at the merciless hands of Judge Jules on his Saturday Warm-Up Show on Radio 1 and featured as one of Dave Pearce�s �Big Three� on Dance Anthems, �Time to Die� is the handiwork of Above & Beyond�s Tony McGuinness and his brother Liam. The A-side features the stunning Seraque mix, described by DJ Magazine�s Tim Stark as �the best remix I�ve heard in the last twelve months� and already responsible for some serious dancefloor carnage in Europe�s cooler clubs. Paul Van Dyk has already signed up �Time To Die� for a release on his Vandit label in Germany. 'Time To Die' is nestled firmly in the boxes of A-list DJs including Armin Van Buuren and Matt Darey, and with Finnish trance maestro Cosmicman adding his own new and rather splendid remix to the package, the tune seems destined for peak-time anthem status over the coming months.

A - Tribal Quest
B - Pylon

The Hague�s Fred Numf became a key member of the progressive network with a string of ecstatically received singles for his and Etienne Overdijk�s Perpetual Tunes label. His formidable debut on Hook joins remixes for T�ësto and Way Out West, releases for Black Hole and Yoshitoshi and the superb �Universal Language 2� compilation on an increasingly impressive discography. Originally having a limited release on the Hard Heels label, but building to become a tribal anthem, �Tribal Quest� (2003) is a dark and deadly percussive odyssey infused with growling bass, rippling congas and an atmosphere that heightens to a dramatic crescendo. On the flip, �Pylon� is a snarling, melodic monster full of buzzing techno sounds and intricately interwoven synth lines, building a momentum that ensures peak-time pandemonium.

A - Take A Ride
B - Durban Poison

Nukleuz was the number one 12� selling label in 2001 and 2002 and Music Week Dance Label Of The Year in 2002. Nukleuz Blue is THE home of hard house.Olly Perris is 17 years old and Ashley Sinclair is 24. They met via the internet but have never actually been in the same room together! They produce all their material via the www from their homes in Poole and Southend respectively! Since their debut release in December they have remixed Vinylgroover & The Red Hed's �Kokane� (massive for Lisa Lashes and Andy Farley) and Real & Richardson's �Sunshine On A Rainy Day� for Nukleuz. A slammin� solo release from the new school hard house superstars, this EP follows on from their smashing debut �Next Generation EP� on Nukleuz Blue. These two young guns are set to lay waste to the harder end of clubland this year as they find their feet and expand their fanbase with massive cuts such as these. Take A Ride is full on hard house mayhem - peak-time and very hard. Durban Poison is hardtrance, the next step on from their debut floor filler �The Venue�. Both tracks appear on 'Hard House Anthems 4' mixed by Ed Real & Rob Tissera out 12th May.

A - Miracle
B - Xylophone

Precision Cuts built up their reputation as DJs with residencies at underground party Whoop Whoop alongside Bushwacka! and Terry Francis, appearences at Urban Gorilla, Chew The Fat and Renegade Hardware at The End. Their sets involve almost 100% original material on vinyl, dubplate and CDR. In 2002 they moved into a new studio and produced for and collaborated with a number of other artists. They also created their own label Smartbreaks. In 2003 they will release on Simple Records and Smartbreaks. They recently remixed Klute's �Do The Work� on Fat! and produced with Rickee Whoop Whoop and Tayo. Tam Cooper is also collaborating in the studio with Simple A&R Will Saul as Simple Souls. In April they will be playing at Hum as Simple Records take over the back room. Precision Cuts are currently in the studio working on their follow-up to �Miracle�.�Miracle� is a smorgasbord of classic synths. The tough, minimal beats ease into sonic manipulation over vicious percussion. On �Xylophone�, crisp breaks and crazy stereo xylophone action create a psychedelic gamelan. Automated mixing techniques ensure �Xylophone� morphs as it rolls. 2 tracks of peaktime dancefloor breakbeat.

Disc 1:
A - Postcards From The Edge
B - Postcards From The Edge (Aurora mix)

Disc 2:
A - Postcards From The Edge (Edgeland mix)
B - Postcards From The Edge (Underdub)

Simon Rogers further develops his Steiger guise with the very best in forward thinking house music. Bringing a huge range of influences and diverse sounds along with a level of production synonymous with Bedrock, 'Postcard From The Edge' is released as two 12"s with mixes from the artist himself ranging from left of centre to driving tech house. A single 12" of breaks mixes will follow at a later date. Influences that include breaks, filmic and ethnic sounds alongside names like the Ballet Rambert, The Fall and Slacker scattered across his CV see Simon Rogers bring a heady mix of talent and influences to his work. The most interesting thing amongst all this, however, is not where he�s been, but where he�s going! Simon Rogers has co-produced with some of the most critically and commercially acclaimed artists in music. Tunes like �Everything Starts With an E� and �Love On Love� by Ezee Posse with Boy George and Jeremy Healy as well as �Generations of Love� by Jesus Loves You, saw his influence, success that led to a more fixed arrangement alongside Shem McCauley, initially as RAMP and later as Slacker during the 90s where they enjoyed success with the club classics 'Rock The Discotek' and 'Stomp' with Loaded, as well as remixes for D:Ream, Grace Jones, Sister Sledge, Armand Van Helden to name but a few. Ever pushing for diversity and something fresh to bring to the scene, Simon went on to record as Leuroj and T-Era for Loaded before leaving Slacker in 2001 to start the Steiger project. �Postcard... � is a hugely atmospheric, epic soundscape: released as two 12"s, Steiger bases the 3 additions to the original around the lush sweeping vocal hook of the original. Deep, searching vocals rise from the centre of the gorgeous melodic hook of �Postcard�, all brought together with a fantastic level of production. The superb original is combined with Steiger's own 'Aurora Mix' in the first 12", and the second, released on the same day, pushes the limits of the genre again with the astonishing 'Edgeland Mix', a driving, techy departure. The 'Underdub' on the flip goes much deeper, rounding out it's sounds in lush beats.

A - It's Gotta Be (dub)
B1 - Touch
B2 - Feeling High

On Records is the sister label of Spot On records and concentrates on funky, filtered head-nodding house. The label has seen support from Yousef, Seb Fontaine and Lottie amongst others. Sucker DJs is the first collaboration between Ben �Highlife� Mackin and Stuart �Colorsound� Sylvester. All three tracks reflect the relative DJ styles of both producers: sharp cut & paste house with some big hands in the air moments and cool mid tempo beats such as �Touch�. 'Its Gotta Be� is peak time hands in the air funky house. �Touch� is perfect mid set mood changing house, while �Feeling High� is a tribal percussive work out. This record follows the enormous �Hey!� by Stretch & Vern (Cevin Fisher mixes.) Ben is the man behind �Highlife� and �Soulfilter� with Vern (Phender, Stretch & Vern), and Stretch is the man behind Colorsound and the Psycho Cowboys. Colorsound made one of the biggest tunes of last year with �Fly With Me� and Stretch brings his expertise to this funky monster.

A -
B -

Guy 'ACE' McAffer is back with another cracker for all you Raw freaks. This time he teams up with south london punk, disco and general nice guy, Mark Kelly for two top-shelf, funked up corkers. On the A the boys come at you with the heady days of disco put through the techno mincer for a dope-tastic raw cut. On the flip we go into more familiar ground for a dark and full throttle sound system destroyer.

As a warm-up to the release of their debut artist album, Spacefunk are releasing 'Spectrum A DJ Mix'. Every tracks a classic, from King Britt's mix of Josh One's 'Contemplation', and Puretone's 'Addicted To Bass' to Timo Mass' remix of Moby's 'We Are All Made Of Stars'. Throughout the mix the boys are up to their old tricks, dropping acapellas over unlikely but for that reason, much more effective, funky house instrumentals. Long before bootleg became hipster term of the moment to describe the sonic Frankenstein's of every bedroom producer with a Pro Tools rig and the cheeky wherewithal to put together unlikely pop songs into clever little dancefloor puns, Spacefunk�s Steve Travell and Andy 'Tex' Jones were DJs with deep record crates and an uncanny talent for doing something both totally new, but surprisingly familiar with their vinyl. While DJing one night in 1998, the pair happened upon the sublime realisation that Daft Punk�s 'Around The World' paired with the vocals of a long-forgotten classic by early �90s pioneers Sub Sub worked better than expected. Soon the white label 'Rock Around The World/Funky Music' by a group calling itself Pussy 2000 was being hailed as one of the records of the year and was every self-respecting DJ�s guilty pleasure peak-hour anthem. Then in 1999, 'It�s Gonna Be Alright' aka 'Pussy Blue' emerged, pairing a classic house vocal by Sterling Void with the Clash�s 'Rock The Casbah', all in a thick funky house churn. By 2001, Steve and Andy finally secured a proper US release of 'It�s Alright Gonna Be Alright' via a singles deal with MTA/V2, which ultimately turned into a fully-fledged four album record contract. They are simultaneously working on an their first ever studio album of their own tracks, inspired by the style-melding that�s made them such clever but effective DJs all those years. Featuring collaborations with the legendary Caron Wheeler (Soul II Soul), Melanie Williams (original vocalist with Sub Sub) and Ian McCulloch (Echo & The Bunnymen), the album looks set to be a worthy addition to the roster of bonafide dance classics, following the likes of Fatboy Slim, Daft Punk and X-Press 2. Spacefunk are artists inspired by the dancefloor but not necessarily limited to it. Steve and Andy are shit-hot dance producers and an ace DJ team and 2003 looks set to be their year.

Track Listing:
1. Soul Mekanik: C'Mon Over
2. Josh One: Contemplation (King Britt Funke Mix)
3. SZ: Somebody (Is Watching Me)(Demon's Catching Me Remix)
4. Steve Mac & Yousef: Darkness 01/01
5. Puretone: Addicted To Bass (Solid Groove Dub)
6. BPT feat. DM Binxter: Moody (Beloved Vocal Mix)
7. Brett Johnson: Stucco Homes
8. Moby: We Are All Made Of Stars (Timo Maas Vocal Remix)
9. Hakim Lidbo feat. 2KH: Bad Girls Go To Hell (Phunk Investigation Devil Dub Mix)
10. Spacefunk: Evil MoogaFooga
11. Onionz: Acid Chantz
12. Simpson Tune: Bring It Down (Da BMR's Club Rework)
13. Pussy 2000: It's Gonna Be Alright (Nice Pussy Mix)

The quintessential German DJ and producer, bald-headed DJ Tomcraft (real name Tom Brucker). He began working the decks at clubs as a teenager and was quickly snapped up by Kosmo Records, the ultra hip dance label based in Munich. Since then he's released a bunch of chart-topping singles, worked with a host of big names (Eniac, Sasha) and performed at some of the world's coolest venues (Frankfurt's Dorian Gray, Ibiza's Space) and raves (Love Parade, Mayday). Tomcraft started making waves on dance charts during the late '90s, with such hypnotic offerings as 'The Mind', 'The Circle', and 'Powerplant'. The latter two tracks were used as theme tunes for the popular sci-fi TV series The X-files. On the other hand, Tomcraft's single '25:17' was a track based on samples from Quentin Tarantino's cult movie Pulp Fiction. Since 1998 he has worked on scores of compilations, such as Sasha's famous Global Underground: San Francisco mix. In 2001 he released the aptly titled album 'All I Got', which featured all of his biggest hits. Now 2003 brings us ID&T present DJ Tomcraft, at the height of his career so far, with 'Loneliness' (forthcoming on Data/MoS UK) in most of the European charts. His excellent mixing skills and choice in tunes prevails in this superb mix comp.

Track Listing:
01. Queen & Vanguard - Flash (Tomcraft Mix)
02. Tiësto & Junkie XL - Obsession (Frank Biazzi Mix)
03. Tomcraft - Loneliness (Club Mix)
04. Huntemann - Disco Tech (original Mix)
05. Anne Clark - Sleeper In Metropolis 3000 (Club Mix)
06. Igor S - Boomerang (Igor S Remix)
07. Slam feat. Dot Alison - Visions (Vitalic Remix)
08. Renato Cohen - Pontape (Original Mix)
09. Benny Benassi - Satisfaction (Isak Original Mix)
10. John Starlight - Blood Angels (Chris Liebing Mix)
11. Marco V - Simulated (Tomcraft Mix)
12. Düse - Nackig (Tomcraft Mix)

Rob Tissera's versatile style and sound has seen him appear at some of the most prestigious clubs in the world. The clubbers at clubs such as Cream, Slinky, Ministry of Sound and Clockwork Orange have danced the night away to Rob's unique sets, blending deep and progressive trance, through to the downright hard and pumping house that has earned him legendary status at Sundissential. Rob's passion for the British clubscene can never be doubted. During his early days as a pirate radio DJ in 1990, Rob was unfortunate enough to be sent to prison for three months for being at the helm of an Acid House party. It was the largest mass arrest in Britain for over 500 years, with over 1,000 people arrested. It was so significant, that it ultimately changed government legislation. Rob's sound has been heard and appreciated far beyond the shores of Britain. He's now a veteran of no less than eight Australian tours and has DJed in places as far afield as New Zealand, Canada, Germany, Sweden and America. He can also proudly point to the fact that he has DJed at every major club in Ibiza. The last four years of 27 year-old Ed�s life have been a rollercoaster. In his position as A&R at Nukleuz Records he has influenced the direction of the massive hard house scene whilst helping to take the label from obscurity to its position as the biggest-selling 12� label in the UK for the last two years. He has stepped up to the stage to collect the award for Dance Music Label of the Year at the annual Music Week shindig. As an accomplished DJ, Ed has travelled the world taking the Nukleuz sound to the people with regular trips to Oz, Japan, South Africa, USA and even war-torn Bosnia! Performing at 150 events per year one wonders how he fits it all in! In March 03, industry-bible Mixmag crowned Ed�s promotion Riot! the number one party in the UK. He also broadcasts on Ministry Of Sound radio and has produced number tracks including the Top 40 chart smash �Sunshine On A Rainy Day� as Real & Richardson.

Track Listing:

CD ONE � ED REAL
1) PAVO & ZANY - �HERE WE GO�
2) ZICKY - �YEAH MAN BOMBOCLAT� (JOY KITIKONTI REMIX)
3) CLIVE KING & SCOTT MARTEN - �TOTAL CONFUSION�
4) CHAMPION BURNS - �ATTITUDE� (SUPREME DREAM TEAM REMIX)
5) SPACE FROG - �X-RAY� (DERB REMIX)
6) PROJECT JUPITER - �DRILL SERGEANT�
7) MATT WILLIAMS - �FIXATION�
8) OLLY PERRIS & ASHLEY SINCLAIR - �TAKE A RIDE�
9) NICK LUNN & STERLING MOSS - �R.E.S.P.E.C.T.�
10) PAUL GLAZBY - �FUCKING HOSTILE�
11) ED REAL & TODD TOBIAS - �DESERT STORM�
12) INFEXTIOUS - �LET ME FLY� (ILOGIK REMIX)
13) REAL & RICHARDSON - �SUNSHINE ON A RAINY DAY� (OLLY PERRIS & ASHLEY SINCLAIR REMIX)
14) RAFF vs GRIT GREENLOW - �PROPAGANDA 303� (BASE GRAFFITI REMIX)
15) OLLY PERRIS & ASHLEY SINCLAIR - �DURBAN POISON�
16) RR FIERCE & DMF - �FULL METAL� (PAUL GLAZBY REMIX)
17) MISS BEHAVIN� - �SUCH A GOOD FEELIN�

CD TWO � ROB TISSERA
1) ROB TISSERA - �BURNIN�� (GUYVER REMIX)
2) BK - �WANNA RIDE�
3) JAMES LAWSON & ANDY FARLEY - �COMING UP�
4) NEON LIGHTS - �YOU�RE NOT ALONE�
5) BK - �STAY HIGH�
6) ALI WILSON & MATT SMALLWOOD - �DEVASTATING� (JAMES LAWSON REMIX)
7) GLYN TOLLEY pres ALL BOXED IN �HAPPEN� (ROB TISSERA REMIX)
8) NICK ROWLAND & DAVE WRIGHT - �DEEPER�
9) MARK GRAY - �99.9� (PAUL GLAZBY REMIX)
10) QUAKE - �THE DAY WILL COME� (NICK ROWLAND & DAVE WRIGHT REMIX)
11) ILOGIK & PAUL JANES - �FOCUS YOUR EYES�
12) NICK ROWLAND & DAVE WRIGHT - �SILVERSPEED (GOD�S CHILD)�
13) TONY DE VIT - �I DON�T CARE� (BK REMIX)
14) JAMES LAWSON & PHIL REYNOLDS - �FILTHY CRIMINALS�
15) ZERO B - �LOCK UP� (ANDY FARLEY vs PRIME MOVER REMIX)
16) F1 - �RECOIL� (PAUL GLAZBY REMIX)
17) NEON LIGHTS - �LOVE YOU MORE�
18) BK - �REVOLUTION�